Minggu, 29 Juli 2012

AKG C 214


AKG C 214

AKG C 214

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AKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well.

AKG C1000S

AKG C1000S

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The versatility of the C 1000 S makes this an extremely popular model, and one ideally suited for all kinds of recording and live sound applications.
If no phantom power is available, the mic can be powered by a standard 9 V battery, making it perfect for mobile use.

AKG C3000

AKG C3000

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Since its introduction in 1993 our C 3000 has become a standard for a wide range of both studio and onstage applications. The new redesigned C 3000 is a cost-effective and aesthetically pleasing product update which maintains the popular characteristics of the C 3000, however a new sleek and classy finish showcases AKG’s new Corporate Design. It is a great selection for both recording and live sound applications, where maximum sound quality and robustness are a must, and the competitive price makes the C 3000 a must-have.

AKG C414 XLS

AKG C414 XLS

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AKG’s legendary C 414 needs no introduction it is a tool found in most recording studios and has been used on thousands of hit records; it’s been on stage with artists of every musical genre and is also used by leading broadcast facilities the world over.

AKG C414XL II

AKG C414XL II

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Incredible Dynamic Range of 152 dB
The C 414 XL II is the successor of the famous C 414 B-TL II. It shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivalled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking.

AKG C4500 B-BC

AKG C4500 B-BC

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The C 4500 B-BC meets the strictest requirements of digital audio with its ultra-low 8 dB-A self-noise and 145 / 165 dB maximum SPL capability. Its end-address format and its unique acoustical design allow the microphone to be used comfortably for on-air broadcast work and for easy positioning in front of instruments such as bass drum, upright bass, baritone saxophone, guitar amps and other high-output sources.

AKG CK32

AKG CK32

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Discreet Acoustic Capsule with Hypercardioid Pattern and 90-degree Pickup Angle
Due to its high sensitivity in all directions, the CK 32 omnidirectional Capsule is an excellent choice especially for lavalier applications, but also for situations requiring ambience pickup. The body is identical to that of the CK 31 and CK 33.

AKG D112

AKG D112

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The D 112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers won't faze it, because the D 112 handles up to 160 dB SPL with no audible distortion.

AKG D7

AKG D7

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Due to AKG’s patented Laminated Varimotion diaphragm technology, the D 7’s response is fine tuned without extra tuning resonators. With custom-built capsule mounting, a spring steel wire-mesh grill and a heavy all-metal body, the D 7 is a durable and reliable microphone solution for the active demands of live musicians.

AKG Perception 120

AKG Perception 120

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The AKG Perception 120 is a .667-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.

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